Theatre Arts Project Topics

Technical Design as a Challenge in Theatre Management a Case Study of Ekiti State Arts Council

Technical Design as a Challenge in Theatre Management a Case Study of Ekiti State Arts Council

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Technical Design as a Challenge in Theatre Management a Case Study of Ekiti State Arts Council

 

Content Structure of Technical Design as a Challenge in Theatre Management a Case Study of Ekiti State Arts Council

  • The abstract contains the research problem, the objectives, methodology, results, and recommendations
  • Chapter one of this thesis or project materials contains the background to the study, the research problem, the research questions, research objectives, research hypotheses, significance of the study, the scope of the study, organization of the study, and the operational definition of terms.
  • Chapter two contains relevant literature on the issue under investigation. The chapter is divided into five parts which are the conceptual review, theoretical review, empirical review, conceptual framework, and gaps in research
  • Chapter three contains the research design, study area, population, sample size and sampling technique, validity, reliability, source of data, operationalization of variables, research models, and data analysis method
  • Chapter four contains the data analysis and the discussion of the findings
  • Chapter five contains the summary of findings, conclusions, recommendations, contributions to knowledge, and recommendations for further studies.
  • References: The references are in APA
  • Questionnaire

 

 

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Chapter One of Technical Design as a Challenge in Theatre Management a Case Study of Ekiti State Arts Council

Background To The Study

Theatre management includes all the paratheatrical (“non-artistic support”) activities necessary for presenting plays and artistic programs in educational, community, and professional settings. Its part of the general field of “arts management,” and normally includes production, planning, fundraising, managing, marketing/advertising, and overall organizing of theatre and other arts events. In the past, people who produced and organized theatrical events were never formally called “arts managers.” They came from all sorts of different backgrounds, and basically they just had a knack for raising money and getting things done, either because they liked the arts, or they were artists themselves, or simply because they wanted to make money. Nowadays, though, in this age of increasing specialization, more and more arts managers with M.B.A. or M.F.A. (graduate) degrees fill positions and undertake very specific tasks in art museums, repertory theatre companies, big city performing arts complexes, and similar places. Some write brochures, conduct marketing campaigns, or organize volunteers as they explain the mission and needs of an arts organization to people who may be potential donors, subscribers, or audience members. Others run actual events, such as stage managers and their assistants, facilities managers, box office supervisors, organizers of audience receptions and fundraising dinners, or managers seeing to the transportation, housing and other needs of the artists. Many others might schedule rehearsals and work calls, or supervise the design and writing of audience programs, or even oversee the financial and accounting operations of an organization. As you can see, the list of jobs necessary to successfully produce arts events can be quite long. The research seek to investigate Technical design as a challenge in theatre management A case study of Ekiti State Arts council –

 

 

Statement of the Problem

The technical aspect of theater management poses great challenges. The challenge ranges from the ability to apply craftsmanship. Such crafts as sound engineering, master electrician, costume construction, carpentry and welding in theater management .The technical design will require that this craftsmanship are employed  efficiently .Other aspect of technical challenges include   learning how to manage crews, budgets and your time. It is also important to interprete the dream of a designer and interprete it into reality. Theatre management includes all the paratheatrical (“non-artistic support”) activities necessary for presenting plays and artistic programs in educational, community, and professional settings. It’s part of the general field of “arts management,” and normally includes production, planning, fundraising, managing, marketing/advertising, and overall organizing of theatre and other arts events. In the past, people who produced and organized theatrical events were never formally called “arts managers.” They came from all sorts of different backgrounds, and basically they just had a knack for raising money and getting things done, either because they liked the arts, or they were artists themselves, or simply because they wanted to make money. Nowadays, though, in this age of increasing specialization, more and more arts managers with M.B.A. or M.F.A. (graduate) degrees fill positions and undertake very specific tasks in art museums, repertory theatre companies, big city performing arts complexes, and similar places. Some write brochures, conduct marketing campaigns, or organize volunteers as they explain the mission and needs of an arts organization to people who may be potential donors, subscribers, or audience members. Others run actual events, such as stage managers and their assistants, facilities managers, box office supervisors, organizers of audience receptions and fundraising dinners, or managers seeing to the transportation, housing and other needs of the artists. The problem confronting the research is to appraise the Technical design as a challenge in theatre management A case study of Ekiti State Arts council.

Read Too:  Examination of the Technique of Code Switching in Selected Songs Ofsikiru Ayinde Barrister

 

Objectives of the Study

To provide an appraisal of theatre management

To determine the significance of theatre management

To proffer an appraisal of Technical design as a challenge in theatre management. A case study of Ekiti State Arts council

 

Research Questions

What is the level of challenge of technical design in theatre management?

 

What is the level of challenge of Technical design in theatre management in Ekiti State Arts council?

 

Significance of the Study

The study shall proffer an appraisal of Technical design as a challenge in theatre management .A case study of Ekiti State Arts council –

 

Research Hypothesis

HO The level of challenges of technical design in Ekiti state Arts council is low

HI The level of challenge of technical design in Ekiti state Arts council is high

 

Scope of the Study

The study focuses on the appraisal of Technical design as a challenge in theatre management A case study of Ekiti State Arts council –

 

 

Limitations of the Study

The study was confronted by some constraints including logistics and geographical factor.

 

 

Definition of Terms

THEATER MANAGEMENT DEFINED.

Theatre management includes all the paratheatrical (“non-artistic support”) activities necessary for presenting plays and artistic programs in educational, community, and professional settings. Its part of the general field of “arts management,” and normally includes production, planning, fundraising, managing, marketing/advertising, and overall organizing of theatre and other arts events. In the past, people who produced and organized theatrical events were never formally called “arts managers.” They came from all sorts of different backgrounds, and basically they just had a knack for raising money and getting things done, either because they liked the arts, or they were artists themselves, or simply because they wanted to make money. Nowadays, though, in this age of increasing specialization, more and more arts managers with M.B.A. or M.F.A. (graduate) degrees fill positions and undertake very specific tasks in art museums, repertory theatre companies, big city performing arts complexes, and similar places. Some write brochures, conduct marketing campaigns, or organize volunteers as they explain the mission and needs of an arts organization to people who may be potential donors, subscribers, or audience members. Others run actual events, such as stage managers and their assistants, facilities managers, box office supervisors, organizers of audience receptions and fundraising dinners, or managers seeing to the transportation, housing and other needs of the artists.

Download Chapters 1 to 5 PDF         

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